Pen, Paper, Prayer

Writing as Spiritual Practice

With My Blood

There are not enough
band-aids for these cuts.
Maybe,
next time,
I can just
hand you my wrists
and you can
slice them thick and deep
My RED blood pouring
crimson at your feet.

Would that be easier?

Easier than making a game of my sacred stories?
Easier than laughing at my invisibility?
Easier than whispering in my ear,
“I bet you can sneak up barefoot on a white man and slit his throat?”
Easier than all your
“1/4 Cherokee great-grandmas”
your
“low man on the totem poles”
your
“I saw my shaman” days?

Since you are so fond
of the
take, take, take
Why don’t you take me?

I will give you my legacy of genocide:
The murdered babies – skeletons stuffed in walls
The sterilized women
The children with sewing needles pushed through their tongues
The men with no hope

With my blood will
come your crimes
and maybe then
when I am dead
maybe then
with my blood congealing at your feet
maybe then
maybe
You will stop this cutting.

Church of Frida

“Madre Frida” by Fabian Debora www.spade.nuai.org

I want to be priest of the Church of Frida. Where the homilies will be given in poems, the communion wafers will be pyramids of dark chocolate dusted in cinnamon, and the wine will always be aged tempranillo. The altar will be covered in orchids and the stained glass will be paintings by Frida. It will be a place where women are priests, men are dancers, and the children praise God with hand drums and gourd rattles. When the name of the Holy is uttered, whether in exaltation or in whispered longing, She will be called Tonantzín, Coatlicue, Xochiquetzal, Toci, Mother, Grandmother, Wild Woman, Serpent Goddess. She will be Our Lady.

The Spirit of Frida will haunt the halls, make incense rise, scent the sacristy with roses, and cause bells to ring. In the mornings she will be heard laughing and telling stories. In the evenings she will be seen lighting candles and dancing in the garden. One Sunday a month a new Kahlo painting will be left at the church doors with a note, “Truth is Love. Frida.” All the Sundays in between bottles of tequila will appear tied with red and green ribbon nesting in piles of blossoming roses. On each bottle will be a note, “See that Our Lady gets some. ~F.”

If you listen closely, you will hear her singing. Songs that last through the night. Songs that could be coming from the stars. Songs that echo in your body and leave you longing for God, weeping on your knees in the dirt. When you sleep she reaches into your chest, takes out your heart, drums a song on its soft flesh and replaces it before morning. This aching for God will not stop. She will keep you like this for years. The only thing left to do will be to write, paint, and dance.

Yes. I want to be priest of the Church of Frida.

Hope

Today there is no snow. There is no sun. Only that Oregon slate gray. And rain.

The conversation that began yesterday and for which I had some hope would end with revelations and learning, has ended (as too many conversations of this nature do) with racism and ugliness. The white woman writer was told repeatedly, by numerous Native writers, that the title of her manuscript contains a term (“half-breed”) which sounds to Indian ears much the way the “N” word sounds to Black ears. As fellow writer, Carmen Lane, said to me, all of these ugly words are “spoken from the same mouth.” “Half-breed” resounds in Native bodies with a heavy thud and the cracking of bones. The white woman writer came to her own defense again, saying, “A half-breed is half-white and that gives me the right.” And with that statement, my hope that she might learn something from the conversation left my body in a puff of air much the way a balloon shrivels to the floor.

Sometimes it feels hopeless, this work to educate people about other cultures. This work of waking up to privilege, this work of waking up to racism, this work of waking up to non-revisionist history and all the pain, guilt, and shame that come with it. I worry about how long it will take to find the ground of understanding and compassion. I wonder how long it will take before people stop talking and start listening.

I stepped back from the thread of this painful conversation to see what was happening around it. Someone asked us to stop giving away our thoughts to this woman and share what we were writing. A new conversation began. Indigenous people sharing with each other the joy of their own work. Work that has emerged from lifetimes and generations of listening. Work that is steeped in pain, struggle, healing, and hope. Work that soothes the souls of the worn-out. Work that inspires the hearts of the exhausted. Work that encourages us to keep going.

I read the poem, “Alphabet” by Native writer and educator Deborah Miranda. And the breath came back to my body. I thanked her for her poem. I told her it is an example of story as healing. She said, “I believe Leslie Silko is right: there is nothing more powerful than story, nothing, and however we have to frame it, whatever alphabet or language, story is what saves us.”

Yes! This is story as medicine. There are words that hurt us and words that save us. Be careful that your words are of the saving kind.

I look out my window again at the gray, gray, gray and the wet, wet, wet and I remember the day I complained to one of my Buddhist teachers about the rain. He said, “Look at the space between the raindrops.” There is much more space than rain.

Privilege before Breakfast

The sun tricked me awake this morning.

I began opening my eyes because all of this light was streaming into my room and I could have sworn I saw blue sky through the slats of my blinds. An hour later, after checking emails, responding to ongoing Facebook conversations, and dealing with a hefty dose of white privilege (and I haven’t even had my breakfast yet) the sky outside is slate gray.

What happened?

I’m beginning to think that blue sky was an illusion to get me out of bed and into writing. Nicely played, universe. Now I wait for the rain and fiddle with words.

I am tired of non-Native people asking for advice from Native people and ignoring it. Asking for our opinions on issues that directly impact our lives on a daily basis then discounting our voices, our experiences, and what we know in our bodies to be true. I am tired of watching non-Native people stroke their egos on the backs of the indigenous.

I have been involved in an online dialogue in which a white woman writer has asked for the advice of Native American/First Nations writers on her manuscript – a historical novel about a 19th century man struggling with his identity as a person of both white and Indian heritage. Several Native writers, myself included, have responded with honest, mostly kind, sometimes harsh, but always real feedback. There have been concerns about her title, concerns about stereotyping, concerns about appropriation, concerns about language and history, concerns about a white person writing about a culture foreign to her own. To her credit, the author is kind in her responses and does not seem to be taking the criticism personally. However, she is having trouble hearing what  her Native critics are saying.

She is very quick to defend her choices rather than receive our feedback. She says she chose the title because. She says she writes about our culture because. She says she has an Indian friend, she likes our connection to the earth, she wants our opinion, she is grateful for our opinion. But, she can’t hear it.

Someone told her this conversation is not only about race. I agree. This conversation is about privilege.

We all have it. There are days when I sit in my two-bedroom apartment sick with worry because I don’t have enough money for groceries. I complain about how little I have, about how difficult life seems to have become. My heart gets heavy with lack. Then, I open my eyes and look around. My rent is paid. My bills are paid. I have a roof over my head. I am enrolled and almost finished with graduate school. I have TWO bedrooms. Not one. TWO. And that second room is for books and a meditation cushion. This is privilege. And I have to remind my ego that I have plenty. I have more than plenty. I am swimming in a wealth of abundance.

The white woman writer said, “I don’t know what I do that makes me continually face rejection. If I could figure it out, I’d fix it.” Oh, my well-meaning new friend, it is privilege. You are blind to your own privilege. You think it is acceptable to write from the perspective of a people you have only discovered through the writings of other people of privilege. If you want to write about Native people, then come down here with us. Come down here and listen to our stories. Take them into your body. And sit with them for a good long while. Let them cook inside of you until you understand our pain and it is more than you can bear. And even when it is more than you can bear keep listening, keep sitting, keep cooking.

It is frightening to see our own privilege. But, it is better to strike away the illusion. When I finally looked out my window this morning, I saw the illusion of sun for what it really was: snow. And it was beautiful.

The Canary Effect

Follow

Get every new post delivered to your Inbox.

Join 326 other followers